Opinion – Page 67
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UK should be a media tech leader
With world-beating creative industries, all that is lacking is investment, says Nick Walters
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Pushing risk into the mainstream
The hunt for quality returners that rate is C4’s biggest challenge
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There’s nothing risky about employing diverse talent
It’s time broadcasters took their cue from the US and put diverse shows in the heart of primetime
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How to plan for an HDR production
Canon’s broadcast manager Matthew Yates discusses what to consider when producing high dynamic range content
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Radio is growing the talent pool
A series of initiatives will help us improve the diversity of voices, says Siobhan Kenny
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Opening doors and breaking down barriers
Those who don’t have industry connections need a helping hand, says Fiona Francombe
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Time to tackle fake news threat
As the forthcoming GDPR shows, digital platforms can be brought to heel, says Kate Bulkley
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Katz eyes reset of indie relations
Collaboration is key to winning brutal battle for ideas and talent
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TV's turn to take the stage on equality
The Baftas were awash with activists and #timesup badges - now we need to turn promises into actions, says Lisa Campbell
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TV will feel the biggest impact of Disney’s OTT service launch
Consumers will increasingly cut the cord with expensive pay platforms, says Phil Birchenall
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ITV SignPost is what a truly diverse company looks like
We are breaking down the barriers for deaf and disabled film-makers, says Gareth Deighan
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No better time to quit the capital
With regional production quotas rising, there’s no better time to move, says David Sumnall
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Bring back the Seaside Special
Summer telly used to be something to look forward to – not any more, says Steven D Wright
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TV risks losing young viewers
On-demand, new-form content presents big challenge to industry
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Why my series took a decade to get commissioned
Navy warship docs had to wait until the time was right, says Chris Terrill
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The future of TV viewing and measurement is already here
Barb’s tracking of on-demand and catch-up reveals some key trends, says Justin Sampson
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Netflix chases the grey pound
First it came for the 18-24s, now older viewers are in the SVoD giant’s sights, says Kate Bulkley
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A year in the life of a start-up
Getting our first commission over the line makes it all worthwhile, says Daniel Nettleton
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New dawn for out-of-London TV
The challenge now is to harness the energy to effect lasting change
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Time's up for regional indie loophole
The industry must seize the chance to tighten up definition of out-of-London productions, says Cat Lewis