All Behind The Scenes articles – Page 30
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Behind The ScenesCanal Boat Diaries, BBC4
To get down and dirty with life on a barge, Robbie Cumming filmed and edited practically all of his series onboard via his iPhone
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Behind The ScenesInside the Supermarket, BBC1
Open and honest conversations with Sainsbury’s allowed us to film serious and fun stories for our series, says Anoushka Roberts
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Behind The Scenes47 Summits: Huw Jack Brassington’s Challenge, S4C
How a storm threw our plans into chaos and quickly turned into the most challenging shoot of my life, says Huw Erddyn
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Behind The ScenesLater… with Jools Holland: reinventing a BBC2 staple
Going through a tender process forced us to consider what worked and what needed updating on the famous music performance series, says Alison Howe
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Behind The ScenesUndercover Girlfriends, C5
Hiding our contestants’ partners in a next-door villa was no easy feat, says Colin May
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Behind The ScenesWho Are You Calling Fat?, BBC2
Filming a revealing doc series about the concept of ‘fat’ will change perceptions and inform national debate, says Sara Ramsden
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Behind The ScenesKiller Camp, ITV2
Enfusing comedy into our reality horror whodunnit in a wet forest in Lithuania was an unforgettable experience, says James Donkin
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Behind The ScenesBritain’s Biggest Warship: Goes To Sea, BBC2/Smithsonian Channel
Setting sail with the Royal Navy
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FeaturesWatchmen: ‘remixing’ a classic
Director Nicole Kassell outlines how she brought Damon Lindelof’s take on the superhero story to the screen
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Behind The ScenesChina’s Greatest Treasures, BBC World News/CCTV
With unprecedented access to China’s museums and artefacts, our co-production taught us that the right local partners are key to pulling off a challenging shoot, says Charlotte Jones
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Behind The ScenesBBC4: Tiananmen – The People v the Party
Co-producing our doc on the deadly 1989 Chinese student protests with French partners with challenging but rewarding, says Ed Stobart
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Behind The ScenesTop Boy, Netflix
Bringing back his gritty drama, writer Ronan Bennett wanted to show the reality of life in a corner of London without glamourising it