Post-production uncovered – Page 6
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NewsPost-production uncovered: Coronation Street - stories that gripped the nation
Dock10 explains its work on the graphics and title sequence to ITV’s Coronation Street archives series
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NewsPost-production uncovered: We Hunt Together (Alibi)
Series producer Lisa Osborne reveals how the team at Molinare and Hackenbacker managed to organise and complete ADR on the production as the UK was going into lockdown
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NewsPost-production uncovered: Splice on The First Team (BBC2)
Post-production house reveals its work on the grade and audio post of new comedy series
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NewsPost-production uncovered: Storm on The A-Z of Eurovision (BBC Two)
Storm provided fully remote post-production for BBC’s The A-Z of Eurovision (TX 16 May), including remote collaboration between multiple edits and locations and same-day delivery. The remote services provided by Storm included file ingest, tape ingest, archive management, offline edit, voice-over, audio mix, online edit, grading, graphics, ...
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NewsPost-production uncovered: Flipbook Studio on The Worst Witch (CBBC)
The Manchester-based studio worked on VFX across series four of the kids’ production
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NewsPost-production uncovered: Envy on Too Hot To Handle (Netflix)
The online edit and extensive audio post-production work explained
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NewsPost-production uncovered: Gangs of London (Sky Originals)
Work on the production had to be finished with the post team working from home during lockdown
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NewsPost-production uncovered: Dock10 on The Stranger (Netflix)
Dock10 explains its work on Red Production Company’s 4K Netflix thriller
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NewsPost-production uncovered: Red Dwarf: The Promised Land (Dave)
Outpost Facilities and Axis VFX talk through their work on the feature-length Red Dwarf one-off for Dave
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NewsPost-production uncovered: Britain’s Got Talent (ITV)
Freefolk explains its work on ITV’s launch film for the latest series of Britain’s Got Talent
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NewsPost-production uncovered: In My Skin (BBC3)
Post house Splice runs through its work on BBC drama In My Skin