Opinion – Page 57
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Comment4 truths about post-production
Coffee & TV’s co-founder and CEO Derek Moore lays out four facts he’s learned about post-production over the last seven years
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CommentProduction in Ireland is set to boom
The UK’s impending exit from Europe will shine a light on the country’s burgeoning production sector, says Larry Bass
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Comment‘Nations and regions’ does not tell the whole story
We need a better phrase to describe the diverse TV landscape outside the M25, says Ruth Pitt
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CommentAuthenticity key to N&R success
Indigenous indies must prove they have best handle on local voices
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CommentViewers want to see themselves
Every community in the country deserves to be represented on the BBC, says Ken MacQuarrie
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CommentWe must continue to give local stories our full support
RTS plays a vital role in championing creative ideas throughout the UK, says Theresa Wise
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CommentApple rewards its 'super-users'
Broadcast Intelligence unpacks the likely shape of the tech giant’s TV service
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CommentPut climate at the heart of TV
Environmental message must reach viewers in an entertaining way, says Aaron Matthews
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CommentStability amid uncertainty
‘While Britain’s future remains uncertain, the indie sector was strong in 2018’
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CommentFlattening Britbox
Is the BBC hellbent on destroying Britbox before it has even launched, asks Alex Farber
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CommentWhy I revisited the Ripper case
Re-examining the investigation reveals much about attitudes of the time, says Liza Williams
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CommentIndie sector is buoyant but brutal
Broadcast survey reveals fresh opportunities and fierce competition
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CommentHow 60 Days On The Streets gives rough sleepers a voice
Our hard-hitting series puts to bed the myths surrounding homelessness, says Jamie Seal
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CommentTeaming up to beat the SVoDs
VoD and joint ad platforms can help broadcasters carve out a healthy future, says Kate Bulkley
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CommentA new balancing act emerges
Escalating tariffs and declining budgets bring a new set of pressures
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CommentWhy distributors need training too
Programme sellers need training courses just as much as producers, says Paul Heaney
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CommentTake a chance on new writers
Fresh voices and perspectives are needed to avoid TV stagnation, says Camilla Whitehill
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CommentDon’t hoard your audience data
If PSBs unlock their viewer intel, there’s no limit to the creative rewards, says Faraz Osman
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CommentBritbox: hard work starts here
Platform is the right step for the PSBs, but the challenges are huge
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CommentFeature docs take centre stage
Primetime scheduling positions for C4’s Three Identical Strangers and Leaving Neverland could point to a new era