All Post-Production Uncovered articles
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NewsPost uncovered: Cinesite and Vine FX on The Witcher, Season 4 (Netflix)
Cinesite reimagined iconic sequences, while Vine FX delivered VFX shots across 18 sequences for Season 4 of the fantasy drama
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NewsPost uncovered: Milk VFX on The Rats: A Witcher Tale (Netflix)
Milk VFX delivered complex creature and visual effects work for The Rats: A Witcher Tale, working closely with Production VFX supervisor Sara Bennett and VFX producer Gin Godden. Milk VFX supervisor Fernando Tortosa and VFX producer Chaya Feiner led the studio’s team of artists to bring the show’s ambitious vision ...
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NewsPost uncovered: Dock10 and Space Digital on Run Away (Netflix)
The MediaCityUK facilities delivered post-production and VFX on the eight-part Netflix thriller produced by Nicola Shindler’s Quay Street Productions
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NewsPost uncovered: Union VFX on Anemone (film)
The VFX house worked on shots including an apocalyptic hailstorm and a photoreal sculptural creature
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NewsPost uncovered: Lux Aeterna on Squid Game: The Challenge, Season 2 (Netflix)
Studio Lambert brought in VFX house Lux Aeterna to maintain the high-end visual standards of the original Korean drama
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NewsPost uncovered: Milk on The Witcher Season 4 (Netflix)
Milk created 46 shots for the series – watch the VFX breakdown below
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NewsPost Uncovered: Doghouse on Empire (BBC2)
Award-winning editor and filmmaker Dilesh Korya goes behind the scenes of BBC2’s Empire with David Olusoga
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NewsPost uncovered: BlueBolt on The Thursday Murder Club (Netflix)
BlueBolt created 250 supporting invisible VFX shots for the murder mystery movie
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NewsVFX Uncovered: BlueBolt on Downton Abbey: The Grand Finale
VFX house produced 138 shots for Julian Fellowes’ cinematic conclusion to TV show
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NewsPost uncovered: Union VFX on Dept Q (Netflix)
Effects included a TV being smashed through a window, landing on a car, a CG roof extension and a series of computer game-style police animatic shots
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NewsVFX Uncovered: Union on 28 Years Later (feature)
VFX studio produced over 900 shots for Danny Boyle and Alex Garland film
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NewsPost uncovered: Union VFX on Mountainhead (HBO)
Union VFX completed its VFX work on Mountainhead in just four weeks from start to finish.
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NewsPost uncovered: Scanline VFX on Star Wars: Andor season 2 (Disney+)
Scanline VFX completed 530 VFX shots on season 2 of Disney+’s acclaimed series Star Wars: Andor
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NewsPost uncovered: Formosa on Warfare (feature film)
The film tells the story of modern warfare, in real-time, through the memories of those who experienced it firsthand
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NewsPost uncovered: Milk on Heads of State (Prime Video)
Milk was tasked with creating highly realistic CG tomatoes that appear in nearly every shot of one of the film’s most complex sequences
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NewsPost uncovered – 1185 Films on Mantra of the Cosmos pop promo
The promo is build around footage of drummer Zak Starkey’s daughter’s toys, which he shot using his iPhone
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NewsVFX uncovered: Union on Black Mirror (Netflix)
Union produced over 200 VFX shots for seventh series finale
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NewsPost uncovered – Formosa on Prime Target (Apple TV+)
Sound played an important role in helping weave all the story strands together
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NewsPost uncovered – Lola on Walking with Dinosaurs (BBC)
The six-part series blends the latest scientific discoveries with natural history storytelling. Lola completed 791 shots on the production
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NewsPost uncovered: Cinesite on Warfare (feature)
VFX house produced roughly 200 shots for Alex Garland film