All Post-Production Uncovered articles
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NewsPost uncovered: Milk VFX delivers 1,000+ shots for prehistoric series Surviving Earth
As lead VFX studio on Surviving Earth, Milk VFX spent two years building a scientifically grounded prehistoric world
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NewsPost uncovered: Vine FX on Enola Holmes (Netflix)
Cambridge-based VFX house produced 150 shots for Legendary production
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NewsPost uncovered: The Look on Rivals (Disney+)
The Look developed a richer, more nuanced visual language for the second season of Disney+’s Rivals
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NewsPost uncovered: MediaCity Post on The Blame (ITV)
MediaCity Post delivered a UHD HDR grade and bespoke remote workflow across London and Manchester
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NewsPost uncovered: BlueBolt crafts 160 VFX shots for Outlander’s final season
BlueBolt transformed Scottish and Derbyshire locations into colonial Georgia and crafted a multi-layered fire sequence
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NewsPost uncovered: Residence Pictures on Intelligence Rising (feature)
Documentary film looks at what the rise of AI could mean for the future
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NewsPost uncovered: Space Digital on The Witness (Netflix)
The VFX house provided invisible fixes, world extensions and period car additions for the three-part limited series about the 1992 murder of Rachel Nickell
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NewsPost uncovered: Bluebolt on Jack Ryan: Ghost War (Prime Video)
VFX house produced 365 shots for latest entry in thriller series
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NewsPost uncovered: Untold Studios on Remarkably Bright Creatures (Netflix)
VFX house created a fully-CG octopus for the mystery drama
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NewsProduction & Post Uncovered: Dimension on Mercy (feature)
Dimension reveals the work that went into motion graphics and virtual production, which played a key part in the Chris Pratt film
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NewsPost uncovered: Time Based Arts on Mint (BBC1)
Director Charlotte Regan, DP Christopher Sabogal and colourist Simone Grattarola explain how they created a distinctive visual style for BBC’s crime-drama
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NewsPost uncovered: Margo’s Got Money Troubles - title sequence (Apple TV)
The creative team at Peter Anderson Studio explain how they built the intricate ‘Assault Course of Life’ sequence
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NewsPost uncovered: Dock10 on Waterloo Road, series 17 (BBC)
The MediaCity facility has posted the BBC drama since its 2022 return, creating tailored workflows including on-set connectivity and remote recording capabilities
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NewsPost uncovered: Vine FX on After the Flood, Season 2 (ITV)
Vine FX delivered a full suite of effects across 336 shots and 94 sequences spanning all six episodes
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NewsPost uncovered: Milk VFX on Under Salt Marsh
The visual effects house created a series of invisible VFX focused on expansive environments, dramatic weather and significant digital world-building
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NewsPost uncovered - Union VFX on 28 Years Later: The Bone Temple (feature)
Union has returned as sole VFX vendor on 28 Years Later: The Bone Temple, delivering 380 shots for Nia DaCosta’s continuation of the franchise
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NewsPost uncovered: Cinesite and Vine FX on The Witcher, Season 4 (Netflix)
Cinesite reimagined iconic sequences, while Vine FX delivered VFX shots across 18 sequences for Season 4 of the fantasy drama
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NewsPost uncovered: Milk VFX on The Rats: A Witcher Tale (Netflix)
Milk VFX delivered complex creature and visual effects work for The Rats: A Witcher Tale, working closely with Production VFX supervisor Sara Bennett and VFX producer Gin Godden. Milk VFX supervisor Fernando Tortosa and VFX producer Chaya Feiner led the studio’s team of artists to bring the show’s ambitious vision ...
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NewsPost uncovered: Dock10 and Space Digital on Run Away (Netflix)
The MediaCityUK facilities delivered post-production and VFX on the eight-part Netflix thriller produced by Nicola Shindler’s Quay Street Productions
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NewsPost uncovered: Union VFX on Anemone (film)
The VFX house worked on shots including an apocalyptic hailstorm and a photoreal sculptural creature