All articles by Will – Page 29
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NewsIonoco provides tech system for The Frame
Ionoco has been selected as the preferred technology supplier for a new cross-platform reality show from July August Productions.
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NewsOn Sight signs up for Alexa
On Sight has become one of the first companies to place an order for Arri’s new Alexa digital film camera.
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NewsSumTalent expands ahead of BBC MediaCityUK move
Editing talent agency SumTalent is to widen its remit to include production, studio and post-production staff ahead of the BBC moving departments to MediaCityUK in Salford.
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NewsBlackmagic reveals Resolve for Mac
Blackmagic Design is introducing a software-only version of the DaVinci Resolve colour corrector that runs on an Apple Mac.
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NewsJobs go in Red Vision restructure
Red Vision, the Manchester-based vfx company behind ITV’s Headcases, is closing its Red Vision Studios operation, a move that will result in approximately 35 people losing their jobs.
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NewsQuantel debuts EVS Gateway
Alongside major new developments for stereoscopic 3D, Quantel is showing a new workflow product for television production using EVS servers.
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News
S3D brings stereo 3D options to NAB
S3D Technologies is showing a number of stereoscopic 3D innovations at NAB including a Beam Splitter Rig and a stereoscopic parameters calculator.
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NewsLightworks to become open-source editor
EditShare has unveiled plans to turn its newly acquired Lightworks non-linear editor into an open-source development initiative.
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NewsAMA to provide ProRes support for Media Composer
Avid is opening up its editing systems so that they can work natively with Apple ProRes codecs and files created by Canon DSLR and Red cameras.
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NewsJVC adds studio and ENG hybrid camcorder
JVC is introducing a new flagship product within its ProHD camcorder line at NAB in Las Vegas that is capable of being either a field-based shooter of part of a multi-camera set-up.
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NewsAvid to buy Euphonix
Euphonix, the manufacturer of large-format digital audio consoles, media controllers and peripherals, is to be sold to Avid for an undisclosed fee.
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NewsRed adds H.264 encoding module
Red Digital Cinema is increasing the workflow options for its new Epic and Scarlet digital film cameras by introducing proxy modules, including one for encoding H.264.
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NewsCheaper Baselight unveiled at NAB
FilmLight has added a sub-£65k version of Baselight to its range of non-linear colour grading systems.
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NewsCanon reveals XF camcorders
Canon has unveiled the first two camcorders to use Canon XF, its newly developed MPEG-2 4:2:2 50Mbps codec.
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NewsEuro Media Group snaps up ACS
Euro Media Group, the parent company of outside broadcast firm CTV, has bought specialist camera supplier Aerial Camera Systems (ACS) for an undisclosed fee.
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NewsRDFR moves to digital delivery
RDF Rights (RDFR) is adding new capabilities to its post-production set-up so that it can send programme content to broadcasters digitally rather than on tape.
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NewsBBC S&PP faces further job losses in reshuffle
The headcount at BBC Studios and Post Production (S&PP) is set to be reduced further in 2011 because there is a “99.9% chance” that its Sport and Children’s staff will not follow their production counterparts to MediaCityUKin Salford.
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NewsSalford Uni puts studio install out to tender
Salford University has published a tender document for the fit-out of its new facilities at MediaCityUK in Salford Quays.
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NewsAlexa to capture native Quicktime files
Arri’s new Alexa digital film cameras will shoot directly to native Final Cut Pro codecs, the German manufacturer has revealed.
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NewsBBC Worldwide to use Teletrax for show tracking
Civolution has signed an agreement that will see BBC Worldwide use its Teletrax broadcast monitoring service to keep track of top BBC shows such as Doctor Who, Life on Mars and Waking the Dead.