Features – Page 32
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FeaturesFewer, bigger, better: Kate Philips unpacks BBC mantra
Unscripted director reveals how audiences have steered ‘painful’ programme cuts, but insists there is still space for features and lifestyle shows
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FeaturesC4 looks to futureproof comedy with Playgrounds scheme
New fund will complement Blaps and provide a more experimental space for budding talent
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FeaturesFirst look: The Gathering, C4
World Productions thriller will explore modern parenthood and how parents impose agendas and issues on their children
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FeaturesEight things we learned at Realscreen
From co-pros to murder shows and FAST channels to theme park rides, here’s Broadcast’s top takeaways from New Orleans
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FeaturesHow the year is shaping up for VFX and post houses
Execs from post house Gorilla and VFX specialist BlueBolt discussed the state of the sector, flexible working and the growing use of AI
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FeaturesBroadcast Awards 2024 in pictures
Familiar faces gathered for the 29th Broadcast Awards, hosted by Sue Perkins
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FeaturesSpecial recognition: Martin Lewis
‘Never flustered, always forensic, always empathetic, Lewis has become a major figure in British TV’
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FeaturesBest entertainment programme: The 1% Club
“It is the most brilliant format with the most effortless production on TV”
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FeaturesTimeline TV Moment of the Year: Succcession
“The reactions of all four Roy children were revealing and fabulously acted”
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FeaturesBest soap/continuing drama: Casualty
“A bold and innovative way to get a hardhitting message across in a soap”
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FeaturesBest independent production company: Studio Lambert
‘The Traitors became a truly elite format in doublequick time’
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FeaturesChannel of the Year: BBC1
‘Placing itself at the heart of the action, BBC1 continues to prove is might as a truly public service channel’
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FeaturesEmerging indie of the year: Curious Films
‘Curious Films made more hours of TV than ever before last year and grew its client base to include streamers and US networks’
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FeaturesBest post-production house: RunVT
“A truly great post house that is brave enough to grow during difficult times in the industry”
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FeaturesBest children’s programme: A Kind Of Spark
“This series showcases neurodiversity in an organic and engaging way, without it being the sole focus”
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FeaturesBest comedy programme: Black Ops
“The two central performers have real funny bones. Black Ops was totally addictive to watch”
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FeaturesBest current affairs programme: Russell Brand: In Plain Sight
“This was vital and remarkable journalism that changed the national dialogue”
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FeaturesBest daytime programme: Scam Interceptors
“A surprising and riveting show. This is public service broadcasting at its best”
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FeaturesBest documentary programme: Lyra
“A stunning tribute to a remarkable young woman whose story had only just begun”