Features – Page 167
-
FeaturesThe ‘True’ Indie Sector
BI takes a deep-dive into data extracted from the Broadcast Indie Survey
-
FeaturesThe UK Production Sector in the International Market
Are international and SVoD commissions still key for the UK production industry?
-
FeaturesM&A activity in the UK Production Sector
Mega deals and indie sector consolidation contribute to rise in number of deals
-
-
The Broadcast InterviewInterview: David Royle, Smithsonian Channel
A voice of authority in a world of fake news
-
Behind The ScenesSkint Britain: Friends Without Benefits, C4
Juxtaposing Westminster rhetoric with the reality of poverty unlocked uncomfortable truths about a pressing social issue, says David Hodgkinson
-
FeaturesBroadcast Awards 2019 in pictures
Familiar faces from across the industry gathered this week for the 24th Broadcast Awards, hosted by Harry Hill
-
FeaturesOPINION: How sports production will shape up over 2019
Grabyo’s CEO Gareth Capon says the cloud, AI and social live streaming will be the key trends for sports producers to address over the next 12 months
-
-
-
-
FeaturesChannel of the Year: ITV
“The channel delivered a slate of high-quality new drama that attracted massive audiences”
-
FeaturesBest independent production company: World Productions
“Bodyguard was the talk of watercoolers and wine bars, bus stops and broadsheets”
-
FeaturesBest post-production house: Halo Post
“A post house that listens to its clients, finds creative solutions and delivers excellence”
-
FeaturesBest documentary series: Prison
“It made use of incredible access to tell a funny and yet shocking story”
-
FeaturesBest multichannel programme: Killed By My Debt
“Powerful, moving and socially important – all wrapped up in an incredible, compelling programme”
-
FeaturesBest comedy programme: Derry Girls
“An original take on the subject, with excellent cast and characterisation”
-
FeaturesBest international programme sales: All Together Now
“The format has been a particular hit in Brazil, where Record TV’s remake exceeded its slot average by 30%”
-
FeaturesBest children's programme: My Life: Locked in Boy
“This was an exceptional documentary that gave a voice to a witty, talented and courageous boy”
-
FeaturesBest popular factual programme: The Real Full Monty: Ladies Night
“Extraordinary, entertaining and touching. It brought a very challenging subject to the mainstream”


















