Features – Page 234
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The Broadcast InterviewSally Woodward Gentle & Lee Morris, Sid Gentle Films
The duo behind drama indie Sid Gentle Films tell Robin Parker why they’re seeking out leftfield talent - and what this means for diversity in the industry
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FeaturesSara Cox On Friendship
Grade, mix and online the 3 x- 60-minute series looking at how social media affects our lives.
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FeaturesThe Secret Life Of The Zoo
Provide full post-production on the 6 x 60-minute observational documentary series
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FeaturesChinese New Year: The Biggest Celebration on Earth
Grade the 3 x 60-minute series examining China and its striking scenery and diverse cultural heritage as the country celebrates its new year. Presented by Kate Humble, The Hairy Bikers, actress and presenter Jing Lusi and designer Ant Anstead.
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The Broadcast InterviewSusanne Bier, The Night Manager
Acclaimed Danish film director Susanne Bier waited 25 years to make her TV debut - with a thriller that had taken almost as long to get to the screen.
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FeaturesChannel of the year: Channel 4
Already riding a wave of factual success, Channel 4 landed this year’s big prize on the back of a scripted renaissance.
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FeaturesBest independent production company: Tiger Aspect Productions
It was the breadth and quality of Tiger Aspect’s work that most impressed the judges.
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FeaturesBest drama series: Doctor Foster
Playwright Mike Bartlett’s naturalistic rendering of a marriage spiralling into turmoil quietly evolved into an addictive thriller that kept the nation glued to their TV screens last autumn.
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FeaturesSpecial Recognition: Have I Got News For You
Have I Got News For You is TV’s most popular satirical news format… allegedly.
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FeaturesBest popular factual programme: The Secret Life Of 4 Year Olds
Three years in the making, RDF Television’s format was partly inspired by Mischel’s famous marshmallow test, which found that identifying four-year-olds who were able to delay their gratification was a better indicator of future success than any IQ test.
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FeaturesBest original programme: Car Share
Not only was Car Share one of the standout comedy hits of 2015, it was also groundbreaking in many ways.
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FeaturesBest post-production house: Halo Post Production
This is the second time Halo has scooped the award for Best Post-Production House - much has changed for the Soho-based facility since its first Broadcast Award back in 2014.
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FeaturesBest news and current affairs programme: Dispatches: Escape From Isis
Epic storytelling” and “heart-stopping television” sound more like descriptions of the winner of the Best Drama Series award, but they are some of the judges’ comments on 2015’s standout piece of current affairs.
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FeaturesBest documentary programme: The Paedophile Hunter
Scary, compelling and morally ambiguous, The Paedophile Hunter was as challenging as any piece of TV in recent years.
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FeaturesBroadcast Indie Summit: Neil Grant
Ahead of the inaugural Broadcast Indie Summit, Films of Record managing director Neil Grant explains why it is vital for the TV industry to share its experiences.
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FeaturesBest music programme: Four to the Floor
“A show that speaks directly to the audience in a way we haven’t seen for a long time,” was one judge’s verdict on a format that shook up perceptions of what a music show could be.
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FeaturesBest soap: Emmerdale
“A soap on top form” was our judges’ verdict of Emmerdale, which exuded confidence and swagger throughout the judging period.
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FeaturesBest entertainment programme: Britain’s Got Talent
The Thames/Syco juggernaut continued to rumble on, steamrolling the competition to climax with a peak audience of 13.4 million viewers – and a whopping share of more than 50%.
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FeaturesBest pre-school programme: Clangers
Clangers’ return to our screens followed reboots of a host of other animated classics that have introduced some old favourites to a new generation of viewers.
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FeaturesBest sports programme: The 2015 Investec Ashes Series
Sky Sports’ commitment to innovation and high production values helped its entry stand out from the competition.