Indies Comment – Page 15
-
CommentLook to the middle for real innovation
The mid-sized distributors are proving innovation beats scale, says Richard Halliwell
-
CommentWhy Leeds should be C4's NHQ
Opening national base in Leeds chimes with C4’s ‘born risky’ nature, says Andrew Sheldon
-
CommentSex on TV is a bit of a turn-off
When characters finally do the deed, it can be the death knell for a show, says Steven D Wright
-
-
CommentIt’s the medium not the message
Younger viewers will watch older-skewing content if it is presented correctly, says Alan Griffiths
-
CommentSocial listening helps to keep shows fresh and engaging
Harnessing real-time audience feedback can make for better programming, says Jo Booth
-
CommentNo excuses in drive for sustainability
The industry must have zero tolerance for non-sustainable production, writes Andie Clare
-
CommentAn indie approach to a royal wedding
Nick Bullen explains how Spun Gold took on producing Princess Eugenie’s big day in eight weeks
-
CommentDrama boom spreads east
You’d be forgiven for feeling like you blink once and you’re back on a plane heading to another Mipcom
-
CommentOur duty to champion diversity
Content industry has its part to play in bringing about real change, says David Cornwall
-
CommentYou need more than a good idea
Production expertise is a critical factor in protecting new formats, says Sarah Edwards
-
CommentLearn the jargon for US success
Knowing how American audiences are defined is key to tapping the market, writes Hannah Bowler
-
CommentA tale of two pre-Mipcom deals
Netflix’s swoops for Bodyguard and The Circle are a sign of the times
-
CommentGame on for women’s sport
The audience is there and the potential for growth and investment is huge, says Sarah Greene
-
CommentFaking it is a noble TV tradition
Like contestants on The Circle, we all put on a front to seem more likeable, says Steven D Wright
-
CommentSome stories never grow old
Events like the 1969 Manson murders will always fascinate audiences, says Richard Dale
-
CommentWinning over a new generation
Competing with the tech giants means being creative with deals and IP, says Kate Bulkley
-
CommentHow to launch an indie in 10 days
Launching a start-up is the scariest thing you’ll ever do. I’d recommend it to anyone, says Jon Lloyd
-
CommentHow to make it in TV? Be posh
Fitting in to a middle-class ideal is key to getting on in this industry, says Sam Friedman
-
CommentWhy are the FAANGs not biting?
Endemol Shine has attracted a wide range of bidders – but no big tech firms, says Kate Bulkley