All Comment articles – Page 27
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CommentSlow Horses: striking the right tone
Director James Hawes on See-Saw Films’ ‘anti-Bond’ espionage series for Apple TV+
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CommentFactual and formats to the fore at Mip TV
‘In the fight for eyeballs, the supremacy of drama is being eroded’
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CommentPeter Bazalgette: A new kind of journalism has come to the fore in Ukraine
Social media videos combined with responsible reporting provide a powerful antidote to fake news and propaganda, says the ITV chair
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CommentTime for broadcasters to dare to be different
ITV’s move into the on-demand world signals a new era as PSBs start to push the boundaries
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CommentCautious optimism as industry recovers
‘Given what we have all endured, there is much to celebrate in this year’s survey’
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CommentPerforming in the age of motion capture
Brett Ineson at Animatrik Film Design discusses how actors can prepare to portray motion capture characters
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CommentThe future of streaming: power back to the content owners
Rick Allen, CEO and co-founder of Viewlift, makes his predictions for the future of OTT and D2C
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CommentHow the Breakthrough Leaders programme benefited my career
It’s important to remember why these programmes need to exist, says factual producer Dani Carpanen
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CommentLower cost drama needn’t mean lower quality shows
Chalkboard managing director Mike Benson on getting creative to finance primetime TV
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Comment5 Tips for Cloud Production
Jakub Majkowski, COO of Tellyo, offers his advice if you’re planning a cloud production project
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CommentTime to change Diamond data into action
We now have five years of granular visibilty around diversity, writes CDN boss Deborah Williams, so let’s act on it
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CommentThe future of sports production: handing ultimate choice and control to viewers
Vizrt commercial director for global sports, Sam Leadsom, makes his predictions for the future of sports production
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CommentFive ways to plug the unscripted skills gap
Gritty Talent’s Mel Rodrigues offers tips for attracting a wider pool of skilled talent
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CommentIWD: Setting the scene for a more inclusive industry
Discovery’s Clare Laycock shares her views on improving inclusivity and effecting lasting and meaningful change
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CommentIWD 2022: Celebrating women in VFX
Alex Coxon speaks to established and up-and-coming female talent in VFX to find out more about their careers and aspirations
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CommentIWD – why there is still much work to do
Progress has been made but we must acknowledge areas where substantial improvement is needed, says WFTV chair Liz Tucker
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CommentPeaky Blinders: portraying Birmingham in Manchester
Screen Manchester’s Bobby Cochrane on producing the drama in the heart of a busy city
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CommentUpping the game of sports broadcasting with volumetric capture
Sara Gamble, head of volumetric solutions at MRMC, reveals how they’ve made volumetric capture portable
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CommentWhat has happened to the role of production managers?
PMs have become increasingly marginalised and the role is far less attractive than it used to be, says Adrian Pegg
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CommentHow to organise a successful virtual production shoot
Alexis Haggar of Lexhag VFX says the key is investing time in planning, having a highly skilled team working together, and shooting in the right digital environment