Features – Page 65
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Features
Put yourself in our shoes, commissioners tell indies
Producers urged to understand what channels are broadcasting before pitching
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Behind The Scenes
George Clooney: Authority is to be made fun of
With their adaptation of Joseph Heller’s classic novel about to air on Channel 4 as a six-part series, George Clooney and Grant Heslov tell Gabriel Tate why the story is still relevant
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Behind The Scenes
Drain The Oceans, National Geographic
Making archaeology accessible and fun by taking a ‘cinematic and tabloid’ approach to reveal what lies beneath the waves
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Behind The Scenes
Good Omens, BBC/Amazon
Staying true to the original vision of the book was key to creating our co-production, says Douglas Mackinnon
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Behind The Scenes
Galdem Sugar, BBC3
A small team and tight turnaround helped give our constructed reality grime series an authentic voice, says series producer Dinkesh Miesuria
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Behind The Scenes
The Murder of Charlene Downes, Channel 5
Investigating a 15-year investigation into a teen girl’s disappearance forced us to embrace complex working practices, says Yonni Usiskin
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The Broadcast Interview
Nicola Shindler: TV drama is at a crossroads
Fresh from her Bafta recognition, Red’s founder tells John Elmes about working with Russell T Davies and the future of N&R indies
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Features
Freshening up The Garden
Following the departure of one of its co-founders, the 24 Hours In A&E producer’s exec team are breaking new ground, they tell Jesse Whittock
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Behind The Scenes
Mum, BBC2
The main characters have come to the end of their journey and – I hope – revealed a few truths about life along the way, says Stefan Golaszewski
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Features
Jeff Pope: Law And Order
Cliché-free and with pin-sharp dialogue, the story instantly had its hooks in ITV Studios’ head of factual drama
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Features
Drama chiefs hail SVoD co-pros
Commercial PSB commissioners cite global reach and additional finance as key benefits
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Behind The Scenes
Sex on the Couch, BBC3
Watching couples’ sex therapy sessions was a real privilege and a production challenge, says Caroline Short
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