Latest – Page 372
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SumTalent expands ahead of BBC MediaCityUK move
Editing talent agency SumTalent is to widen its remit to include production, studio and post-production staff ahead of the BBC moving departments to MediaCityUK in Salford.
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Sony sets 100m target for 3D TVs
Sony expects to sell 100m 3D TVs globally in the next three years as consumers quickly embrace the new format.
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Cintel touts switchable film scanner
Cintel is showcasing brand new products for film scanning and image restoration at NAB 2010, including a new ditto product.
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Eyeframe secures World at War deal
MIPTV: Eyeframe and its sister company Dubbs have won the contract to manage the restoration and Blu-ray creation for The World At War in HD for FremantleMedia Enterprises (FME).
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Avid to buy Euphonix
Euphonix, the manufacturer of large-format digital audio consoles, media controllers and peripherals, is to be sold to Avid for an undisclosed fee.
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Lightworks to become open-source editor
EditShare has unveiled plans to turn its newly acquired Lightworks non-linear editor into an open-source development initiative.
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JVC adds studio and ENG hybrid camcorder
JVC is introducing a new flagship product within its ProHD camcorder line at NAB in Las Vegas that is capable of being either a field-based shooter of part of a multi-camera set-up.
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AMA to provide ProRes support for Media Composer
Avid is opening up its editing systems so that they can work natively with Apple ProRes codecs and files created by Canon DSLR and Red cameras.
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Cheaper Baselight unveiled at NAB
FilmLight has added a sub-£65k version of Baselight to its range of non-linear colour grading systems.
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Quantel debuts EVS Gateway
Alongside major new developments for stereoscopic 3D, Quantel is showing a new workflow product for television production using EVS servers.
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Canon reveals XF camcorders
Canon has unveiled the first two camcorders to use Canon XF, its newly developed MPEG-2 4:2:2 50Mbps codec.
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S3D brings stereo 3D options to NAB
S3D Technologies is showing a number of stereoscopic 3D innovations at NAB including a Beam Splitter Rig and a stereoscopic parameters calculator.
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Red adds H.264 encoding module
Red Digital Cinema is increasing the workflow options for its new Epic and Scarlet digital film cameras by introducing proxy modules, including one for encoding H.264.
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Euro Media Group snaps up ACS
Euro Media Group, the parent company of outside broadcast firm CTV, has bought specialist camera supplier Aerial Camera Systems (ACS) for an undisclosed fee.
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BBC S&PP faces further job losses in reshuffle
The headcount at BBC Studios and Post Production (S&PP) is set to be reduced further in 2011 because there is a “99.9% chance” that its Sport and Children’s staff will not follow their production counterparts to MediaCityUKin Salford.
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RDFR moves to digital delivery
RDF Rights (RDFR) is adding new capabilities to its post-production set-up so that it can send programme content to broadcasters digitally rather than on tape.
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Amberfin signs OEM deal to add DVO software
Amberfin has concluded an Original Equipment Manufacturer (OEM) agreement that will see Digital Visions’ DVO image-processing software tools added to its softwarebased iCR Standards Converter.
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Alexa to capture native Quicktime files
Arri’s new Alexa digital film cameras will shoot directly to native Final Cut Pro codecs, the German manufacturer has revealed.
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Salford Uni puts studio install out to tender
Salford University has published a tender document for the fit-out of its new facilities at MediaCityUK in Salford Quays.
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EVS snaps up OpenCube
Production server technology manufacturer EVS has bought OpenCube Technologies, the French MXF media specialist.