Broadcast Tech – Page 49
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NewsPost-production uncovered: One Of Us on Munich - The Edge Of War (Netflix)
One Of Us delivered 215 VFX shots for the Robert Harris thriller
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NewsPost-production uncovered: Cinelab and Goldcrest on The Witcher (Netflix)
Cinelab provided dailies lab services and workflow supervision and Goldcrest handled picture post
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NewsPost-production uncovered: Goodbye Kansas on Alex Rider (IMDb TV)
The VFX house supplied 215 shots and 12 assets for the second series
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NewsPost-production uncovered: Realtime on A Discovery Of Witches (Sky)
Realtime provided around 80 VFX shots for the third series of the show
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NewsPost-production uncovered: One Of Us on The Matrix Resurrections (feature)
One Of Us created over 200 VFX shots for the film
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NewsPost-production uncovered: Goodbye Kansas on The 355 (feature)
It delivered over 400 VFX shots for the film
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NewsPodcast: Virtual production demystified
Final Pixel explain everything you need to know about virtual production
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NewsPost-production uncovered: Suite on Toast Of Tinseltown (BBC1)
Objective Fiction produced the show in association with US indie studio Wiip
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NewsPost-production uncovered: DNEG on Ghostbusters: Afterlife (feature)
Lead vendor DNEG delivered over 800 VFX shots over 24 sequences
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NewsPost-production uncovered: Halo Post on Welcome To Earth With Will Smith (National Geographic)
Halo provided full picture and sound post-production services for the series, produced by Nutopia
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NewsPost-production uncovered: Blazing Griffin on You Don’t Know Me (BBC)
A detailed explanation of the post-production work completed on BBC’s new drama series
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NewsPodcast: How Al Arabiya uses virtual sets to bring news to life
Broadcaster is helping viewers visualise the week’s biggest stories
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NewsPost-Production Uncovered: Halo on The World According To Jeff Goldblum (National Geographic)
Halo provided full picture and sound post-production services for the show
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NewsPost-production uncovered: Realtime on Ridley Road (BBC1)
Realtime worked with Red Production Company on the show
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NewsPost-production uncovered: Goodbye Kansas on Locke And Key (Netflix)
VFX supervisor Ditch Doy and VFX producer Paula Pope explain the work that went into the second series of the show
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NewsPost-production uncovered: Jump on Among The Stars (Disney+)
Fulwell 73’s space documentary features a series of graphics sequences from Jump Design
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NewsPost-production uncovered: Digital Imaging on Brassic (Sky)
VFX supervisor Tanvir Hanif explains the work that went into the latest series of the comedy show
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NewsPost-production uncovered: DNEG on Ron’s Gone Wrong (feature)
DNEG reveals the scale of its self-produced animated feature film
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NewsPost-production uncovered: The Finish Line on Hawking: Can You Hear Me? (Sky Documentaries)
The Finish Line integrated both new and archive footage to tell the personal story of Stephen Hawking
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NewsPost-production uncovered: Moonraker VFX on Killer of the Cosmos (Discovery)
Bristol-based Moonraker VFX worked on 700 shots on Discovery’s doc, to bring a ‘cosmic noir’ style to the production