All Features articles – Page 85
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FeaturesGlued to the Screen: Freddie Flintoff: Living with Bulimia
Daniela Neumann is humbled by this taboo-busting documentary that raises awareness of the condition in men
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FeaturesThe BBC’s radical commissioning plan
Industry reacts to corporation’s proposal for switch to iPlayer-first approach
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FeaturesFocus Group: Coping with Covid-19
Our four panellists discuss the difficulties of producing in quarantine
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FeaturesDistributors Showcase Live: Boom time for format sales
Four leading distributors discuss the growing interest in classic shows and the wider impact of the pandemic on their business
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FeaturesEnd Credits: Mel Bezalel, RDF
The director of development on Persian rice, John Hamm and turning down the thermostat
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FeaturesCapturing the story of GRM Daily during lockdown
Lockdown surprisingly helped expand YouTube’s one-off YouTube doc about the rise of the grime music business to a series
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FeaturesMultichannel Production Company of the Year: Firecracker Films
Firecracker’s shows have a prominent place across UKTV, BBC Scotland and E4
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FeaturesBest Factual Channel: BBC4
‘It is not afraid to push boundaries in terms of commissioning experimental shows and mixing genres with its output’
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FeaturesBest Short-Form Documentary: Life After Death: How Seven Kids Came Back from the Dead
Met the remit of bringing younger, underserved audiences back to the BBC
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FeaturesBest Specialist Channel: Cartoon Network
‘The channel feels like the future, in a really positive way, which is entirely appropriate, because it is for kids’
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FeaturesBest Programme Acquisition: Succession
First season peaked at 200,000, notching up an average of 150,000 over 10 parts
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FeaturesBest VR Experience: Common Ground
‘Uses the mediums involved to tell an emotional and important story that immerses you in inner-city lives’
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FeaturesBest Documentary Programme: Real Kashmir FC
‘A fantastic way to put BBC Scotland on the map’
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FeaturesBest Digital Support for a Strand, Channel or Genre: CBeebies Grown-Ups
‘A great use of community’
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FeaturesBest Digital Support for a Programme: RuPaul’s Drag Race UK
‘A comprehensive and brilliantly executed campaign which ticked every box in the Digital Support playbook’
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FeaturesBest Short-Form Format: #FML - Most Racist Uber Ride Ever
‘Creative, funny, with great performances and a lot of charm’