All articles by Max Miller – Page 75
-
NewsCrowd Network launches Sam Warburton podcast
Captains sees rugby legend joined by series of sporting leaders
-
-
NewsJapan Football Rugby Union flies to the cloud
The JRFU will create its live video content with a cloud workflow
-
-
NewsStudents to create, produce, and film BT Sport Takeover
Show will air at 6.45pm on BT Sport 2, on 28 January
-
NewsETC installs storage for longform & episodic expansion
Filmlight’s Flux Store installed for post-production house
-
NewsPrime Video and DAZN agree global distribution deal
DAZN to be available as a Prime Video Channel
-
NewsCanon launches Stories In Motion film competition
Music video, documentary and scripted short categories are open to 18-25-year-olds
-
NewsEMG unites RF services under Connectivity brand
Eurolinx, Broadcast RF and the RF activities of EMG France will be consolidated under new business unit
-
-
News200+ BT Sport staff at risk of redundancy
Employees who moved over to Warner Bros. Discovery as part of joint venture told jobs have been dissolved
-
NewsBBC unveils Six Nations coverage
Broadcast Sport Presenter of the Year Gabby Logan will front television coverage
-
NewsWBD and UCI create Mountain Bike World Series
discovery+, Eurosport, and GCN+ will provide coverage of the new competition
-
NewsBlast Premier to reach over 150 territories in 2023
It will air on Blast.tv, YouTube, Twitch, and DAZN in the UK
-
NewsBox To Box on bringing Drive To Survive to tennis and golf
Executive producer James Gay-Rees speaks to Broadcast Sport about new shows Break Point and Full Swing
-
NewsPixotope makes double appointment to product team
Gideon Ferber becomes senior director of motion and production graphics and Javier Reyes Gomez will be product program manager
-
-
-
PodcastPodcast: How to produce the big live sport events
Aurora’s Lawrence Duffy and Whisper’s Mark Cole speak about how they approach producing events such as the Women’s Euros and Formula E
-
NewsPost-production uncovered: BlueBolt on My Policeman (Prime Video)
VFX house delivered 152 shots for 1950s drama starring Harry Styles and Emma Corin