Factual Features – Page 26
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FeaturesThe Suspect
‘The Suspect has the stickiness that the SVoDs like and with the real-life crime aspect and family story, it has global appeal’
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FeaturesIndian Space Dreams
‘There is a massively increasing middle class in Asia and many more people with access to content and a willingness to pay for it. We’re tapping into that’
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FeaturesStacey Dooley Sleeps Over
‘We have stripped back the layers and people have told us what they think about, in some cases, quite controversial subjects’
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FeaturesPoisonous Liaisons
‘Women seem to have an insatiable appetite for working out the psychology and motives of the perpetrator’
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FeaturesTom Kerridge’s American Feast
’One of the things that works internationally is characters – and Tom Kerridge is a great character’
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FeaturesWitches Of Salem
’While the trials are historically specific and the story is very local, we feel that right now it’s quite universally applicable’
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FeaturesMy Grandparents’ War
‘Every country in the world played some part in the war. We’re really excited about that potential’
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FeaturesThe $50m Art Swindle
‘This is such an intriguing story and there is a market for this show with PSBs, cable and streamers’
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Behind The ScenesChina’s Greatest Treasures, BBC World News/CCTV
With unprecedented access to China’s museums and artefacts, our co-production taught us that the right local partners are key to pulling off a challenging shoot, says Charlotte Jones
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Behind The ScenesBBC4: Tiananmen – The People v the Party
Co-producing our doc on the deadly 1989 Chinese student protests with French partners with challenging but rewarding, says Ed Stobart
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FeaturesJes Wilkins on QED: John’s Not Mad
Beyond sixth-form giggles over its subject’s swearing, the landmark doc inspired the Firecracker exec to explore extremes of the human experience
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Behind The ScenesBorn To Be Wild, BBC2/BBC Scotland
Providing a fresh perspective on British wildlife
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Behind The ScenesMobeen Azhar on the story behind the crime that shook America
Using old-fashioned British charm and guile allowed us to tell the story of A Black and White Killing for BBC2, says the writer and presenter
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FeaturesTurning the lens on duty of care
Three leading television documentary-makers reveal how they approach access and ensure their wellbeing
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FeaturesSimon Dickson: Fourteen Days in May
The shades of grey in Paul Hamann’s death row film taught the Label1 creative director the power of documentaries
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Behind The ScenesThe Best Little Prison in Britain?, ITV
Our series focused on inmates who we could all identify with and a jail where the key aim was rehabilitation, says Rebecca Mulraine