All Broadcast articles in 3 February 2017 – Page 3
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NewsC5 vows to improve diversity
Broadcaster admits it is ‘late to the party’, but says Viacom deal gives it more scope for change
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CommentSky and Discovery need each other
Resolution to conflict was inevitable, but how long will it last?
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NewsStakes rise in pay battle
The carriage battle between Discovery Communications and Sky could mark the start of pay-TV “warfare”, resulting in pay-TV blackouts and the emergence of skinnier channel packages.
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NewsFMUK hires C4’s Humphreys
Fremantle Media UK (FMUK) has handed Liam Humphreys control of its non-scripted indie portfolio, and will ask its labels to work together more closely under his leadership.
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NewsC4 reigns at Broadcast Awards 2017
Channel 4 has retained its Channel of the Year crown at this year’s Broadcast Awards, where it picked up seven awards.
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FeaturesIndependent production company: Big Talk Productions
A bumper year for one of comedy’s pre-eminent producers, 2016 saw Big Talk build on the continued success of its established slate with the launch of several cracking new series.
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FeaturesPost-production house: Envy
Envy’s sixth Best Post-Production House award puts the facility ahead of all its rivals.
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FeaturesPopular factual programme: The Real Marigold Hotel
The Real Marigold Hotel blurred genres and addressed diverse themes – and became a massive ratings hit. More than 4 million people tuned in to its clever combination of celebrity reality show, travelogue and documentary.
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FeaturesDrama series or serial: This Is England '90
The third and final chapter of Shane Meadows’ highly acclaimed series This Is England combined tension, desperation and sadness, flavoured by the distinctive sounds of 1990, as the gang reunited for the last time.
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FeaturesOriginal programme: Fleabag
Any fears that BBC Three shows might drop off the radar following its move online were dispelled by Fleabag.
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FeaturesNews & current affairs programme: Three Days of Terror: The Charlie Hebdo Attacks
As close as one wants to get to a terrorist attack”, was one judge’s verdict on Amos Pictures’ 60-minute film, which traced the events in Paris on 7 January 2015, when two brothers forced their way into the offices of satirical magazine Charlie Hebdo.
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FeaturesDocumentary programme: Interview With A Murderer
It was a landmark year for the true crime genre but Interview With A Murderer, which featured former ambulance man Bert Spencer, widely suspected of killing paperboy Carl Bridgewater, stood out.
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FeaturesMusic programme: Adele At The BBC
The judges were impressed that the hour-long special had the “ambition to match the singing talent of the Chasing Pavements star”.
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FeaturesEntertainment programme: The Last Leg
The Last Leg took a giant leap forward in 2016 with a live, daily pre-watershed show reviewing the Rio Paralympics.
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FeaturesPre-school programme: Topsy and Tim
Having taken the adage about children and animals as an open challenge, Darrall Macqueen took things to the next level for series three of Topsy And Tim.
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FeaturesSports programme: Rio 2016 Paralympic Games
Following the London 2012 Paralympics was a tough challenge, but not only did the Team GB athletes in Rio surpass their previous medal haul, Channel 4’s coverage of the event also hit new heights.
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FeaturesSpecial recognition: Later... With Jools Holland
Think of a breakthrough recording artist of the past 25 years and the chances are you saw them first on Later… With Jools Holland.
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FeaturesSoap or continuing drama: Emmerdale
It’s a second consecutive win for the Yorkshire-set soap, whose most talked-about storyline of the year was Aaron finding the courage to confide in his mother that he was a victim of sexual abuse.
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FeaturesDaytime programme: The Question Jury
The development team at Monkey Kingdom created The Question Jury after watching the 1950s film Twelve Angry Men, in which a group of strangers are stuck in a jury room together, leading to much drama and debate.
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FeaturesSingle drama: Ellen
Ellen is a touching, brutal and unforgettable rendering of the life of an isolated and vulnerable 14-year-old girl. In the words of one judge, it was “an extraordinary, beautifully written, directed and performed film that haunted me for days”.