Comment – Page 7
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Where is TV audio description heading in 2019?
AbilityNet’s Claudia Cahalane on the challenges of ensuring as much content as possible is audio described
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The rise of machine learning in TV and film production
Jade McQueen from content management platform Box lays out a series of practical benefits to media companies of utilising AI/ML
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8 trends impacting broadcast in 2019
Chris Wood, CTO of media technology consultancy Spicy Mango lays out the commercial and technical trends he believes could matter the most in 2019.
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Artificial Intelligence is not a production panacea
Grabyo CEO Gareth Capon lays out the pros and cons of an AI-enabled future
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How VR and AR will revolutionise sports viewing
Accedo’s regional director - Australia & New Zealand Chris McNair believes the future of sports viewing lies with VR/AR
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Why the cloud is crucial in the age of AI
Yeming Wang of Alibaba Cloud explains how cloud-based content should benefit the most from artificial intelligence
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Is it too soon to be talking about 8K?
Chris Evans, broadcast expert at research and consulting specialist Futuresource argues the case for 8K
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Broadcast TECH - September 2018
Sports broadcasters around the world are embracing 4K, but there are better ways to improve the viewer experience, says Shane Warden
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Paving the way for seamless streaming
How highly connected data centres can help enable glitch free content streaming
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Using AI to fight fake news
VeriFlix’s Donald Staar lays out his view of how Artificial Intelligence can be used to combat fake news
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Reshaping broadcast services for the modern age
How an established broadcast communications infrastructure provider is re-designing its services for the digital age
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How AI is overhauling access to creative content
Using Artificial Intelligence (AI) to revolutionise the organisation of your archives
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Microsoft HoloLens ushers in a mixed reality future
Advances in mixed reality technology is moving apace, with the HoloLens providing a glimpse of the future
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AI is rewriting the TV script
Focus groups are one thing, but could a machine ever replace the writer? asks Kate Bulkley
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How to plan for an HDR production
Canon’s broadcast manager Matthew Yates discusses what to consider when producing high dynamic range content
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Look after your VFX artists to get the best out of them
Outpost VFX founder Duncan McWilliam explains his concept of ’Fairtrade VFX’
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Refreshing the UK's TV and film studios sector
TV studios expert Piers Read argues for a new approach to creating studio facilities in the UK
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How real-time game engines are enhancing production
A revolution in real-time visual effects