Features – Page 63
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Features
Linear: how long has it got?
With youngsters deserting traditional TV schedules, is the industry hurtling towards an on-demand-only future?
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Features
The BBC: what next?
From iPlayer rights and SVoD rivals to fragmented audiences and IP delivery, Tara Conlan surveys the corporation’s challenges
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Behind The Scenes
Filming with human guinea pigs
War in the Blood director Arthur Cary on the challenge of covering the human impact of a scientific breakthrough
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Features
Best Drama Programme: Killed By My Debt
‘Killed By My Debt was a savage drama that left me reeling – it was raw, true and brilliantly crafted’
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Features
Best VR Experience: 1943 Berlin Blitz
‘Excellent use of archive mixed with modern, immersive technology’
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Features
Best Short-Form Drama: Random Acts - Snatches: Moments from Women’s Lives - Bovril Pam
‘This drama brilliantly evoked time and place and told a moving yet original female story’
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Features
Best Digital Support for a Programme: Derry Girls Social Campaign
‘Simply brilliant and brilliantly simple. It ticked every box in the judging criteria’
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Features
Best Entertainment Programme: Love Island
‘This series took the relationship format to a new level and was impossible to avoid – even if you didn’t watch it’
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Behind The Scenes
Remarkable Places to Eat, BBC2
Filming in the world’s most exclusive restaurants, we had to be meticulously organised to avoid getting in the way of service, says Katy Fryer
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Behind The Scenes
The Secrets Of Coca-Cola: The Billion Dollar Beverage, Channel 5
Lifting the lid on Coke’s secret formula
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Behind The Scenes
Beecham House, ITV
Emma Cox meets writer/director Gurinder Chadha and finds out about the joys and trials of shooting in India
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Features
Put yourself in our shoes, commissioners tell indies
Producers urged to understand what channels are broadcasting before pitching
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Behind The Scenes
George Clooney: Authority is to be made fun of
With their adaptation of Joseph Heller’s classic novel about to air on Channel 4 as a six-part series, George Clooney and Grant Heslov tell Gabriel Tate why the story is still relevant
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Behind The Scenes
Drain The Oceans, National Geographic
Making archaeology accessible and fun by taking a ‘cinematic and tabloid’ approach to reveal what lies beneath the waves
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Behind The Scenes
Good Omens, BBC/Amazon
Staying true to the original vision of the book was key to creating our co-production, says Douglas Mackinnon