Features – Page 8
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Features
MediaCityUK: 10 years in business
A decade after the BBC moved several key departments to the north-west, has the initiative has worked and what lessons can be learned by C4
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Features
Shane Allen: Father Ted
The subversive surrealism of Craggy Island showed the BBC head of comedy that the best ideas cannot be contained in a top-line pitch
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Features
Penny Woolcock: Eleventh Hour
The Tina Goes Shopping and Ackley Bridge director on the ‘weird and wonderful’ 11pm shows of Channel 4’s early days
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Behind The Scenes
Skint Britain: Friends Without Benefits, C4
Juxtaposing Westminster rhetoric with the reality of poverty unlocked uncomfortable truths about a pressing social issue, says David Hodgkinson
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Behind The Scenes
Shipwrecked: Relaunching the original island reality show
The genre has moved on since the show last aired – but stunning locations and a terrific cast will help us rise to the challenge, says Kate Bates
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Behind The Scenes
Steph and Dom: Can Cannabis Save Our Son?, Channel 4
Over several months of embedded filming, executive producer Jon Lloyd and producer/director Erica Gornall saw a whole new side to the Gogglebox pair
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Behind The Scenes
Brexit: The Uncivil War, C4
James Graham on how his political drama tries to make sense of the EU vote from all perspectives
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Features
Shocks, flops and a female Doc
Broadcast looks back at a year when Big Brother bowed out and women took on some iconic roles
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Behind The Scenes
My Family Secrets Revealed, Channel 4
We beat The Beast from the East to create C4’s ‘democratised DNA’ daytime series, says Jane Kelly
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Behind The Scenes
Alone At Home, Channel 4
Meredith Chambers describes the challenge of filming children trying to cope without their parents
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Behind The Scenes
The ingredients for a Great British success
The Love Productions megahit is now on its second series for Channel 4, but it remains a tricky recipe to pull off
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Behind The Scenes
The Bisexual, Channel 4
Katie Carpenter on the many hurdles faced in producing an authentic take on London life
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